Balázs Varga (Institute for the Theory of Art and Media Studies) examines the shared patterns and local particularities of Czech, Slovak, Polish, and Hungarian film and media cultures.

Rada Robertas Studie untersucht die Metapher, Österreich als Laboratorium Ungarns‘ im ungarischen Corona-Diskurs 2020–2022.

Varga Balázs (Institute for the Theory of Art and Media Studies) examines the visibility of films from Czechia, Slovakia, Poland, Hungary, and Romania in the context of local and European canons.

Balázs Varga investigates how contemporary Central European crime and thriller works depict post-socialist disillusionment and social helplessness.

Andrea Timár (School of English and American Studies, Department of English Studies) examines the literary relevance of Hannah Arendt’s political philosophy in her book.

The article published in Critical Inquiry in Language Studies, with the contribution of Gergely Szabó (ELTE), analyzes the findings of a linguistic-ethnographic study conducted in Hungary.

Veronika Hermann and László Strausz examine the memory-political aspects of the HBO series The Informant.

In his video essay, László Strausz (Institute of Art Theory and Media Studies) examines precarity in Hungarian films around the time of the regime change.

Eszter Solnay’s study (Institute of Archaeological Sciences) presents a preliminary analysis of the settlement and burial remains from the Early Copper Age site of Tiszagyenda–Vágott-halom.

Zsuzsanna Siklósi (Institute of Archaeological Sciences) and her colleagues examined the regional networks and raw material sources of Early and Middle Copper Age metalworking in the Carpathian Basin.

The career paths of graduate language mediation students were examined through a survey conducted by the staff of the Department of Translation and Interpreting at the Faculty of Humanities.

Eszter Solnay and Zsuzsanna Siklósi (Institute of Archaeological Sciences) found that most Danubian Copper Age vessels were made following a shared technical tradition.